Sculpture, installation, 2019

Mixed media, 40*110 cm

The subject of time and space could be considered in terms of visual changes. Nothing is eternal or static. The space is so unique. It is reminiscent of the temple of science. Walls couldn't be touched, and nothing can be changed. It has to stay as it is. Everything is gigantic and microscopic that couldn't be embraced by common sense. Sciences have a high level of abstraction. People trust numbers. Numbers are unseen and untouched. Things in itself. Numbers and signs could measure a lot of events and entities. Emotions and thoughts, feelings were inspected and dissect as well, but it's hard to create an equal measuring instrument for them. Everything is about the matter and looking for the matter. Nothing and everything. Secrets of the universe and our origin are still not dissected and hardly materialised. To create a frozen in time alien is a very abstract thing. But to make a representation of it is possibly materializable. Life will touch and change it soon.

Silkscreen, 2018

Silkscreen 70*200 cm

ШIn one second, 100 thousand chemical reactions occur in the human brain, 63 thousand search queries are processed by Google, 55 000 likes are clicked on in Facebook, 20 million people get distracted by incoming messages, орохlightning hits the ground 100 times, 9000 computer power adapter failures occur every second.

Facts create an image. иFacts are to be defined and recorded. But when to do it exactly – when they are happening or have already happened? It is difficult to grasp what preceded the emergence of facts. Howшумmany neural reactions should must occur in order to write one e-mail or do a Google search?

This work is about rustle and noise. Хорошшуметь How do they differ?
Noise is ubiquitous and uncontrollable. There is also rustle. It always penetrates where it is needed. Noise and rustle are not in шорохорошумopposition to each other, rather a union or separation. This is a work about noise and rustle. Rustle is a dull sound. It is friction resulting from a gentle contact with the surfaceишшшш.

Installation, 2018

Silkscreen print and metal stick,
A3, 160 cm

The print shows words and phrases we normally say to each other when we are upset, irritated, when our feelings are hurt or when we want to shift responsibility on someone else. The positioning of the words resembles a board game in which one can go from one square to another. However, the game has neither the beginning nor end, there is not happy resolution but is a left with the feeling of the absurd.

Studio Frankenstein

Radio performance, 2018

von Studierenden der Universität für angewandte Kunst Wien: Rosie Benn, Jasjote Grewal, Lukas Gritzner, Natalia Gurova, Daniel Hüttler, Ekaterina Kostova, Monica LoCascio, Eirik Melstrøm, Benjamin Nelson, Pia Plankensteiner, Irene Reichart, Raphael Reichl, Andrea Resner, CarMiña Tarilonte Ro.

Konzept und Produktion im Rahmen der Lehrveranstaltung von Ralo Mayer an der Abteilung Ortsbezogene Kunst.

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Photo credits: Andrea Resner

Video HD, 1.50 min.
For the Ästhetik der Veränderung – 150 Jahre Universität für angewandte Kunst Wien, MAK (Museum of Applied Arts), 2017.

Video was made for Site-Specific Art department at the University of Applied Arts, Vienna

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Together with: Anastassiya Kurinova

Spatial installation, Paulusplatz 5, Ortsbezogene Kunst department, University of Applied Arts, Vienna. 2017
Red walls, set of light, newspaper collage, bench.

This work is the result of a reflection about the eerie, undetected gaze and the hidden. The work began with a series of black and white analogue shots Vienna streetscapes, which often seem deserted, uninviting and hiding something. Many places and areas in Vienna look very calm and respectable, although it is likely that many of them witnessed acts of crime and violence. In almost every residential area, something of the sort has happened as some point, possibly in every home. Banal crimes motivated by jealousy or alcohol addiction.

The artist wanted to reconstruct and re-imagine the fact of a crime that happened next to the gallery where the work was exhibited. The crime was reported by the tabloid Heute. The artist altered the typical page of this newspaper so that the viewer could draw a parallel between the crime scene and the exhibition site. To create the right atmosphere, the artist stole a bench from the street where the crime occurred, and transferred it to the gallery. The bench was deliberately damaged slightly - only by going around it one could notice the cuts. Although the bench was still usable however the intuitive desire to sit on it was lessened. The same bench is shown on the front of page of Heute.

The installation aims to confuse and makes you want to solve a riddle or become part of this puzzle. You can solve it only by comparing, matching and mentally copying the elements of the installation.

Video HD, 12 min, preserved artist's conk mushroom, a-crystall copy from artist's conk mushroom 33*21 cm.
2016

Video is the result of a 2-year communication with a mycologist Gerhard Koller, who has studied mushrooms for more than 20 years. The camera follows Koller and the artist on their walk in the forest in Burgenland (Austria). The scientists point to different types of mushrooms and talks about theirs features and characteristics . An Artist Conk mushroom (Ganoderma applanatum) was also found during one of the excursions with Gerhard. The artist preserved the mushroom, and later created a gypsum copy from it. Subsequently she took it to another 'mushroom' walk. In the video both versions of the mushroom are present – the real one and its copy.

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Password: slat

Performance, Prater, Kaiser-Wiese, 2015.

The artist had a 70-meter rope which she used as a performance tool. She walked through a park with the rope and wrapped objects in her way with it. Passers-by also joined in the performance and contributed to the artwork.